Henry Purcell, English Chamber Orchestra, Benjamin Britten's 'The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony' had a release date set for January 11, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 43 in the song's album "Purcell: The Fairy Queen; Songs And Arias". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony by Henry Purcell, English Chamber Orchestra, Benjamin Britten having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Isaac Stern, Alexander Schneider, English Chamber Orchestra | D Minor | 4 | 7A | 96 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?...Fear no danger" | Henry Purcell, Jessye Norman, Marie McLaughlin, Elizabeth Gale, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 79 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 4. Menuetto: Trio I | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 1 | 7B | 69 BPM | ||
Concerto No. 3 in D Major, BWV 1054: III. Allegro | Johann Sebastian Bach, Sonya Bach, English Chamber Orchestra | D Major | 2 | 10B | 99 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Rondeau | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
The Indian Queen, Z. 630, Second Music: Air | Henry Purcell, The Sixteen, Harry Christophers | E Major | 0 | 12B | 121 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
The Indian Queen, Z. 630 : Second Music - Second Aire (Hornpipe) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 0 | 12B | 121 BPM |