Fritz Wunderlich's 'Granada' came out on 2017. The duration of Granada is about 3 minutes long, at 3:10. Based on our data, "Granada" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #23. The popularity of Granada is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Granada by Fritz Wunderlich having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die keusche Susanne: Wer kann dafur | Jean Gilbert, Fritz Wunderlich, Franziska Wachmann, South West German Radio Kaiserslautern Orchestra, Emmerich Smola | E Minor | 2 | 9A | 87 BPM | ||
Der Zarewitsch: Wolgalied | Franz Lehár, Fritz Wunderlich, Deutsches Symphonie-Orchester Berlin, Alois Melichar | G Major | 2 | 9B | 171 BPM | ||
Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe | Franz Schubert, Fritz Wunderlich, Kurt-Heinz Stolze | B Major | 2 | 1B | 105 BPM | ||
Die Fledermaus / Act 3: Nr.16 Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, René Kollo, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 81 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Wohin seid ihr entschwunden" | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Orchester der Bayerischen Staatsoper München, Otto Gerdes | E Minor | 1 | 9A | 87 BPM | ||
Eine Nacht in Venedig: Treu sein, das liegt mir nicht | Johann Strauss II, Fritz Wunderlich, Alois Melichar | F Major | 2 | 7B | 107 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21g, Rezitativ. "Da Pilatus das Wort hörete" | Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker | B♭ Major | 5 | 6B | 113 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Welch' Festglanz, wie froh sind alle Gäste" | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hans Marsch, Orchester der Bayerischen Staatsoper München, Otto Gerdes, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | F♯ Major | 1 | 2B | 83 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
La regata veneziana: 1. Anzoleta avanti la regata | Gioachino Rossini, Cecilia Bartoli, Charles Spencer | F Major | 2 | 7B | 119 BPM |
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