Franz Schubert, Fritz Wunderlich, Kurt-Heinz Stolze made "Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe" available on January 1, 2008. The duration of Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schubert, F.: Schone Mullerin (Die) (Wunderlich, Stolze) (1957)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe by Franz Schubert, Fritz Wunderlich, Kurt-Heinz Stolze having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Grieg: Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Leif Ove Andsnes | G Minor | 0 | 6A | 95 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM |
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