"La regata veneziana: 1. Anzoleta avanti la regata" by Gioachino Rossini, Cecilia Bartoli, Charles Spencer was released on December 21, 1990. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Rossini: Giovanna d'Arco; 19 songs". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La regata veneziana: 1. Anzoleta avanti la regata is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La regata veneziana: 1. Anzoleta avanti la regata by Gioachino Rossini, Cecilia Bartoli, Charles Spencer having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka | Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz | A Major | 1 | 11B | 133 BPM | ||
Kullervo, Op. 61: Act I Scene 2: Mina tahdon olla tuoksuva ja lammin kuin nuori leipa (Smith's Young Wife) | Aulis Sallinen, Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Anna-Lisa Jakobsson, Pertti Makela, Juha Kotilainen, Paula Etelavuori, Marko Putkonen, Matti Heinikari, Esa Ruuttunen, Vesa-Matti Loiri, Finnish National Opera Chorus, Finnish National Opera Orchestra, Ulf Söderblom | A♭ Major | 0 | 4B | 79 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
2 Nouvelles compositions: No. 1, À Grenade | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 2 | 10B | 112 BPM |
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