"Eine Nacht in Venedig: Treu sein, das liegt mir nicht" by Johann Strauss II, Fritz Wunderlich, Alois Melichar was released on 1964. The duration of Eine Nacht in Venedig: Treu sein, das liegt mir nicht is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Eine Nacht in Venedig: Treu sein, das liegt mir nicht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Recital". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Eine Nacht in Venedig: Treu sein, das liegt mir nicht is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Nacht in Venedig: Treu sein, das liegt mir nicht by Johann Strauss II, Fritz Wunderlich, Alois Melichar having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
Swan Lake- Dance of the Swans | Pyotr Ilyich Tchaikovsky, Christian Ehwald, Staatsphilharmonie Kosice | F♯ Minor | 0 | 11A | 108 BPM | ||
Fledermaus-Quadrille, Op. 363 - Live | Johann Strauss II, Lorin Maazel | D Major | 5 | 10B | 125 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 183 BPM |
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