"Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie" by Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra was released on 1959. With Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 25 in Bach: Greatest Hits by Till Lindemann, Johann Sebastian Bach, Eugene Ormandy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 2 | 10A | 121 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Military March No. 1 in D Major, D. 733 | Franz Schubert, Evgeny Kissin, James Levine | D Major | 3 | 10B | 132 BPM | ||
21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro | Johannes Brahms, Tal & Groethuysen | F♯ Major | 1 | 2B | 163 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM | ||
Peasant Cantata, BWV 212: Sinfonia | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | A♭ Major | 1 | 4B | 72 BPM |
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