Johannes Brahms, Tal & Groethuysen's '21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro' came out on 1993. The duration of 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 37 in Brahms: Hungarian Dances No. 1-21; Waltzes, Op. 39 for Piano for Four Hands by Johannes Brahms, Tal & Groethuysen. The popularity of 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro by Johannes Brahms, Tal & Groethuysen is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Violin Concerto No. 1 in G Major, Op. 34: I. Allegro moderato | Oskar Rieding, Tadeusz Gadzina, Ella Susmanek | G Major | 1 | 9B | 68 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, RueiBin Chen | B♭ Major | 3 | 6B | 100 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM |
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