"Eugene Onegin, Op. 24, TH 5: "Welch' Festglanz, wie froh sind alle Gäste"" by Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hans Marsch, Orchester der Bayerischen Staatsoper München, Otto Gerdes, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart was released on March 1, 1967. With this song being about 5 minutes long, at 5:29, "Eugene Onegin, Op. 24, TH 5: "Welch' Festglanz, wie froh sind alle Gäste"" by Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hans Marsch, Orchester der Bayerischen Staatsoper München, Otto Gerdes, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tchaikovsky: Eugene Onegin, Op. 24 - Highlights (Sung in German)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH 5: "Welch' Festglanz, wie froh sind alle Gäste" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH 5: "Welch' Festglanz, wie froh sind alle Gäste" by Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hans Marsch, Orchester der Bayerischen Staatsoper München, Otto Gerdes, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM |
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