"交響詩「ティル・オイレンシュピーゲルのゆかいないたずら」 Op. 28" by Richard Strauss, Slovak Philharmonic, Zdeněk Košler was released on December 24, 2014. 交響詩「ティル・オイレンシュピーゲルのゆかいないたずら」 Op. 28 appears to be safe for all ages as it is not explicit. There is only one song in ジルベスター&ニューイヤー クラシック・カウント・ダウン! 2014-2015[フィギュアスケート、サッカー、ジルベスター&ニューイヤーコンサート、アニバーサリー作曲家(R.シュトラウス、伊福部昭、シベリウス、グラズノフ)ほか年末年始を華やかに彩るクラシック名曲選!], so we believe that "交響詩「ティル・オイレンシュピーゲルのゆかいないたずら」 Op. 28" is a single. In terms of popularity, 交響詩「ティル・オイレンシュピーゲルのゆかいないたずら」 Op. 28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響詩「ティル・オイレンシュピーゲルのゆかいないたずら」 Op. 28 by Richard Strauss, Slovak Philharmonic, Zdeněk Košler is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feuersnot, Op. 50, TrV 203: Love Scene | Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM |
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