"Dies Natalis, Op.8: 1. Intrada" by Gerald Finzi, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With this song being about 5 minutes long, at 5:26, "Dies Natalis, Op.8: 1. Intrada" by Gerald Finzi, Aurora Orchestra, Nicholas Collon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 14 out of 19. Dies Natalis, Op.8: 1. Intrada is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies Natalis, Op.8: 1. Intrada by Gerald Finzi, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Intimations of Immortality, Op. 29: And O, ye Fountains, Meadows, Hills and Groves | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | E♭ Minor | 0 | 2A | 138 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | C Minor | 0 | 5A | 82 BPM |
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