"Intimations of Immortality, Op. 29: And O, ye Fountains, Meadows, Hills and Groves" by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill was released on May 16, 2006. With this song being about 5 minutes long, at 4:40, "Intimations of Immortality, Op. 29: And O, ye Fountains, Meadows, Hills and Groves" by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 18 in Finzi: Intimations of Immortality / for St Cecilia by Gerald Finzi. Based on our statistics, Intimations of Immortality, Op. 29: And O, ye Fountains, Meadows, Hills and Groves's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Intimations of Immortality, Op. 29: And O, ye Fountains, Meadows, Hills and Groves by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Intimations of Immortality, Op. 29: Our birth is but a sleep and a forgetting | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | F♯ Major | 1 | 2B | 88 BPM | ||
Romance, Op. 23 (Violin and Piano) | Amy Beach, Romantic Chamber Group of London | A Major | 0 | 11B | 97 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM |
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