"Piano Quartet in A Major, Op. 30: IV. Animé" by Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe was released on November 18, 2005. Piano Quartet in A Major, Op. 30: IV. Animé appears to be safe for all ages as it is not explicit. The song is number 4 out of 8 in Chausson: Piano Quartet & Trio by Ernest Chausson, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Piano Quartet in A Major, Op. 30: IV. Animé is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quartet in A Major, Op. 30: IV. Animé by Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | ||
Poulenc: Cello Sonata, FP 143: I. Allegro - Tempo di marcia | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 0 | 4A | 174 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") | Ernest Chausson, Véronique Gens, Susan Manoff | B♭ Major | 1 | 6B | 91 BPM | ||
Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot] | Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique | C Major | 1 | 8B | 79 BPM |
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