"Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19")" by Ernest Chausson, Véronique Gens, Susan Manoff was released on October 16, 2015. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Néère". In this album, this song's track order is #17. In terms of popularity, Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") by Ernest Chausson, Véronique Gens, Susan Manoff having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto for the Left Hand in D Major, M. 82: III. Tempo I | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | A Minor | 1 | 8A | 85 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | B Minor | 1 | 10A | 100 BPM | ||
Chausson : Le roi Arthus : Act 1 "Délicieux oubli des choses de la terre" [Lancelot, Guenièvre] | Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique | C Major | 1 | 8B | 79 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Piano Quartet in A Major,Op. 30: III. Simple et sans hâte | Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe | A♭ Minor | 4 | 1A | 120 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Piano Trio in G minor, Op.3: 1. Pas trop lent | Ernest Chausson, Beaux Arts Trio | E♭ Major | 1 | 5B | 111 BPM |
Section: 0.8373761177062988
End: 0.842390775680542