"Chausson : Le roi Arthus : Act 1 "Délicieux oubli des choses de la terre" [Lancelot, Guenièvre]" by Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique was released on March 1, 1986. Since Chausson : Le roi Arthus : Act 1 "Délicieux oubli des choses de la terre" [Lancelot, Guenièvre] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 19 in Chausson : Le roi Arthus by Ernest Chausson, Teresa Zylis-Gara, Gösta Winbergh, Gérard Friedmann, René Massis, Gilles Cachemaille, Gino Quilico, François Loup, Armin Jordan & Nouvel Orchestre Philharmonique, Armin Jordan, Nouvel Orchestre Philharmonique. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Chausson : Le roi Arthus : Act 1 "Délicieux oubli des choses de la terre" [Lancelot, Guenièvre] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chausson : Le roi Arthus : Act 1 "Délicieux oubli des choses de la terre" [Lancelot, Guenièvre] by Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) | Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa | F♯ Minor | 2 | 11A | 100 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM |
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