"Cello Concertino No. 2 in G Major, Op. 41: II. Andante" by Julius Klengel, Martin Rummel, Mari Kato was released on October 13, 2017. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Julius Klengel, Martin Rummel, Mari Kato's "Klengel: Complete Concertinos for Cello & Piano" album is number 2 out of 10. Cello Concertino No. 2 in G Major, Op. 41: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concertino No. 2 in G Major, Op. 41: II. Andante by Julius Klengel, Martin Rummel, Mari Kato to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 33: No. 2, Gavotte | Julius Klengel, London Mozart Players | G Major | 1 | 9B | 202 BPM | ||
6 Morceaux: No. 3, Berceuse | Pauline Viardot, Rachel Barton Pine, Matthew Hagle | G Major | 0 | 9B | 172 BPM | ||
Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 1 in C Minor: Allegro molto moderato | Franz Schubert, Krystian Zimerman | C Minor | 0 | 5A | 105 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 2. Andante | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 93 BPM | ||
Souvenir d'un lieu cher for Cello and Orchestra, Op. 42: I. Méditation | Pyotr Ilyich Tchaikovsky, Jan Vogler, Andrés Orozco-Estrada | B♭ Major | 1 | 6B | 104 BPM |
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