"Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot]" by Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique was released on March 1, 1986. Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot] is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 8 out of 19 in Chausson : Le roi Arthus by Ernest Chausson, Teresa Zylis-Gara, Gösta Winbergh, Gérard Friedmann, René Massis, Gilles Cachemaille, Gino Quilico, François Loup, Armin Jordan & Nouvel Orchestre Philharmonique, Armin Jordan, Nouvel Orchestre Philharmonique. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot] by Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Concert for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne: Pas vite | Ernest Chausson, Philharmonia Chamber Players, Gabriele Pieranunzi, Jin Ju, Fabrizio Falasca | A Minor | 1 | 8A | 115 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Ravel: 5 Mélodies populaires grecques, M. A 10: No. 2, Là-bas, vers l'église | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | E Major | 1 | 12B | 74 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM |
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