"Rinaldo / Act 1: Recitativo: Signor, già dal tuo senno" by George Frideric Handel, David Daniels, Bernarda Fink, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. With Rinaldo / Act 1: Recitativo: Signor, già dal tuo senno being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 4 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 1: Recitativo: Signor, già dal tuo senno is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rinaldo / Act 1: Recitativo: Signor, già dal tuo senno by George Frideric Handel, David Daniels, Bernarda Fink, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin | D♭ Minor | 2 | 12A | 121 BPM | ||
I Trionfi del fato": "Combatton quest'alma" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Major | 3 | 5B | 132 BPM | ||
Oiseaux, si tous les ans, K.307 - Live | Wolfgang Amadeus Mozart, Cecilia Bartoli, Jean-Yves Thibaudet | C Major | 1 | 8B | 198 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Pergolesi: Laudate pueri: V. Suscitans a terra | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 130 BPM | ||
Giulio Cesare in Egitto HWV 17 / Atto primo: No.1 Coro "Viva, viva il nostro Alcide!" - Live | George Frideric Handel, Magdalena Kozená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Jean-Michel Ankaoua, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | A♭ Major | 2 | 4B | 96 BPM | ||
Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... " | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 2 | 11A | 67 BPM | ||
Artaserse: Son qual nave | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 4 | 3B | 135 BPM | ||
Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass] | William Christie | E♭ Major | 1 | 5B | 78 BPM |
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