Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro's 'Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... "' came out on October 26, 2018. With Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... " being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... " is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... " by Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, A: Griselda, Act 2: "Mi rivedi, o selva ombrosa" (Griselda) | Alessandro Scarlatti, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 1 | 3B | 76 BPM | ||
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Karłowicz: 10 Songs, Op. 3: No. 1, Mów do mnie jeszcze | Mieczysław Karłowicz, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir | Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson | D♭ Major | 1 | 3B | 145 BPM | ||
Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 0 | 11B | 173 BPM | ||
In exitu Israel, ZWV 83: In exitu Israel - After Psalm 113 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F Major | 0 | 7B | 74 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Handel: Agrippina, HWV 6, Act 2: "Pur alfin ti ritrovo" (Lesbo, Poppea) | George Frideric Handel, Joyce DiDonato, Biagio Pizzuti, Elsa Benoit, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 1 | 11A | 129 BPM |
Section: 0.6500275135040283
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