George Frideric Handel, Magdalena Kozená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Jean-Michel Ankaoua, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski made "Giulio Cesare in Egitto HWV 17 / Atto primo: No.1 Coro "Viva, viva il nostro Alcide!" - Live" available on January 1, 2003. With Giulio Cesare in Egitto HWV 17 / Atto primo: No.1 Coro "Viva, viva il nostro Alcide!" - Live being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski's "Handel: Giulio Cesare" album is number 2 out of 83. In terms of popularity, Giulio Cesare in Egitto HWV 17 / Atto primo: No.1 Coro "Viva, viva il nostro Alcide!" - Live is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Giulio Cesare in Egitto HWV 17 / Atto primo: No.1 Coro "Viva, viva il nostro Alcide!" - Live by George Frideric Handel, Magdalena Kozená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Jean-Michel Ankaoua, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Let thy hand be strengthened: Let thy hand be strengthened | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | F♯ Major | 1 | 2B | 115 BPM | ||
Le Berger fidèle: Air gai: "L'Amour qui règne dans votre âme" | Jean-Philippe Rameau, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 1 | 5B | 106 BPM | ||
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | D Minor | 1 | 7A | 114 BPM | ||
La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis | A Major | 1 | 11B | 97 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Handel: Partenope, HWV 27, Act 2: "Contro un pudico amor" (Emilio) | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | A♭ Major | 2 | 4B | 115 BPM |
Section: 0.9590637683868408
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