"Mary Stuart, A. 43, In. 52: Prelude" by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra was released on April 1, 1999. With Mary Stuart, A. 43, In. 52: Prelude being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 43 in Donizetti: Mary Stuart by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Rosalind Plowright, David Rendall, Alan Opie, John Tomlinson, Angela Bostock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mary Stuart, A. 43, In. 52: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mary Stuart, A. 43, In. 52: Prelude by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM | ||
Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 71 BPM | ||
Don Pasquale: Act I: Ah! Un foco insolito | Gaetano Donizetti, Roberto Abbado | C Major | 1 | 8B | 112 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM |
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