- BPM
- 167
- Key
- D Major
- Camelot
- 10B
Harmonia artificioso-ariosa / Partia IV: Aria - Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel Information
- Acousticness
- 94%
- Danceability
- 20%
- Energy
- 10%
- Instrumentalness
- 75%
- Liveness
- 29%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 67%
- Popularity
- 4%
- Loudness
- -17.147 dB
Summary
Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Harmonia artificioso-ariosa / Partia IV: Aria" available on January 1, 2004. With Harmonia artificioso-ariosa / Partia IV: Aria being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. The popularity of Harmonia artificioso-ariosa / Partia IV: Aria is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Harmonia artificioso-ariosa / Partia IV: Aria BPM
The tempo marking of Harmonia artificioso-ariosa / Partia IV: Aria by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Harmonia artificioso-ariosa / Partia IV: Aria Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | |
 | La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | |
 | Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | |
 | Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | |
 | La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | |
 | Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 82 BPM | |
 | Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | |
 | Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | |
 | Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | |
 | Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6529808044433594
End: 0.6611683368682861