Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas's 'Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo' came out on February 1, 2014. The duration of Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo is about 3 minutes long, at 3:00. Based on our data, "Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The Proud Bassoon". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo by Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: II. Largo e Staccato | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | B Minor | 0 | 10A | 119 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VII. Polonaise | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Horn Quartet in F Major, FWV N:F3: II. Allegro | Johann Friedrich Fasch, Ensemble Marsyas, Alec Frank-Gemmill | D♭ Minor | 3 | 12A | 102 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: I. Adagio | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |
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