Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) - Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Information

Acousticness: 98%
Danceability: 26%
Energy: 7%
Instrumentalness: 0%
Liveness: 11%
Loudness: 67%
Speechiness: 5%
Valence: 13%
Popularity: 2%
Loudness: -19.537 dB

Summary

"Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 6 out of 61. Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) BPM

We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Les biches Suite, FP 36b: I. Rondeau	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	C Major	1	8B	79 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	A♭ Major	1	4B	79 BPM
Enescu: Octet in C Major, Op. 7: III. Lentement	George Enescu, Vilde Frang	E Major	1	12B	89 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Minor	2	8A	113 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato	Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger	G Major	0	9B	90 BPM
Symphony No.2: 1. Andante moderato	Charles Ives, New York Philharmonic, Leonard Bernstein	D Major	1	10B	112 BPM
Symphonie "Mathis der Maler": I. Engelkonzert	Paul Hindemith, Berliner Philharmoniker, Claudio Abbado	D Major	1	10B	106 BPM
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Lebhaft I	Paul Hindemith, Leonard Bernstein, New York Philharmonic	D Major	3	10B	143 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records