"Symphonie "Mathis der Maler": I. Engelkonzert" by Paul Hindemith, Berliner Philharmoniker, Claudio Abbado was released on January 1, 1995. Since Symphonie "Mathis der Maler": I. Engelkonzert is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Berliner Philharmoniker, Claudio Abbado's "Hindemith: "Mathis der Maler"; Nobilissima Visione; Symphonic Metamorphoses" album is number 1 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphonie "Mathis der Maler": I. Engelkonzert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie "Mathis der Maler": I. Engelkonzert by Paul Hindemith, Berliner Philharmoniker, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Oboe Sonata, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 85 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Ludus Tonalis: IX. Interludium (Vivace) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
12 Variations on Handel's "See the Conqu'ring Hero Comes", WoO 45 (Arr. A.N. Tarkmann for Octet): Var. 4, — | Ludwig van Beethoven, Ludwig Chamber Players | E♭ Major | 0 | 5B | 99 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Minor | 0 | 6A | 73 BPM |
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