"Romances on Poems by A.Blok, Op. 127: I. Ophelia's Song" by Dmitri Shostakovich, G.A.P. Ensemble, Dorothee Mields, Luca Quintavalle, Emilio Percan, Oriol Aymat Fusté was released on February 28, 2024. The duration of Romances on Poems by A.Blok, Op. 127: I. Ophelia's Song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Romances on Poems by A.Blok, Op. 127: I. Ophelia's Song's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in G.A.P. Ensemble, Dorothee Mields, Luca Quintavalle's "J.S. Bach & Shostakovich: Salvation" album is number 18 out of 24. On top of that, Netherlands appears to be the country where this track was created. Romances on Poems by A.Blok, Op. 127: I. Ophelia's Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romances on Poems by A.Blok, Op. 127: I. Ophelia's Song by Dmitri Shostakovich, G.A.P. Ensemble, Dorothee Mields, Luca Quintavalle, Emilio Percan, Oriol Aymat Fusté to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM |
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