"Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato" by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis was released on January 1, 2012. Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Rachmaninov: Piano Concerto No.2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis having a BPM of 55 with a half-time of 28 BPM and a double-time of 110 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Cinderella, Op. 87, Act 2: No. 33, The Prince's Variation (Andante con brio) | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 3 | 7B | 152 BPM | ||
Prelude in G Minor, Op. 23, No. 5 | Sergei Rachmaninoff | G Minor | 1 | 6A | 98 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Scheherazade Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 69 BPM | ||
Reverie | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 68 BPM | ||
Carnival of the Animals: VII. Aquarium | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | A Minor | 1 | 8A | 82 BPM | ||
Requiem: II. Dies irae "Dies irae" | Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus | C Minor | 3 | 5A | 91 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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