"Le dernier jour d'un condamné / Acte I: Si j'avais ma grâce! Et par qui ? Et pourquoi ?" by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 20 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Si j'avais ma grâce! Et par qui ? Et pourquoi ? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Si j'avais ma grâce! Et par qui ? Et pourquoi ? by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anesthésie - Remix | Ghassan Yammine, Fifonsi | F Major | 2 | 7B | 141 BPM | ||
Canto della terra | Mark Vincent | F Major | 3 | 7B | 127 BPM | ||
ユー・レイズ・ミー・アップ/You Raise Me Up | 秋川雅史 | B Major | 2 | 1B | 61 BPM | ||
Santa Lucia | Teodoro Cottrau, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Trois mélodies, Op. 7: No. 1, Après un rêve | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
Manon: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 82 BPM | ||
Le dernier jour d'un condamné / Acte II: Il est temps! Toilette du condamné! | David Alagna, Indra Thomas, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson | A Major | 2 | 11B | 73 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM |