"Le dernier jour d'un condamné / Acte II: Il est temps! Toilette du condamné!" by David Alagna, Indra Thomas, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 13 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Il est temps! Toilette du condamné! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Il est temps! Toilette du condamné! by David Alagna, Indra Thomas, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amami Alfredo (Remastered 2014) | Verdi, Carmen Dragon | E Major | 2 | 12B | 124 BPM | ||
Sanctus | MartÍn Palmeri | G Minor | 4 | 6A | 91 BPM | ||
Ave María - Versión de Charles Gounod | Charles Gounod, Joaquin Pixan, Alejandro Zabala, David Hill, English Chamber Orchecstra | F Major | 1 | 7B | 177 BPM | ||
Ah, st'ammore | Fabrizio Cesare, Annalisa Madonna | F♯ Major | 4 | 2B | 204 BPM | ||
Le dernier jour d'un condamné / Acte I: Huit pieds carrés. Quatre murailles de pierre | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 1 | 3B | 78 BPM | ||
Offenbach: Les contes d'Hoffman, Act 4: "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) | Jacques Offenbach, Jennifer Larmore, Jesús López-Cobos, Munich Radio Orchestra | D Major | 1 | 10B | 88 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Dans Mes Reves (Carmen Interlude) | OperaBabes | C Minor | 3 | 5A | 74 BPM | ||
Nel Amor S' E Mudo | Emma Shapplin | B♭ Minor | 6 | 3A | 94 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM |