"Madama Butterfly - Act II" by Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin had its release date on June 14, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Madama Butterfly (Complete Opera in Two Acts)" album is number 17 out of 39. On top of that, United States appears to be the country where this track was created. Madama Butterfly - Act II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madama Butterfly - Act II by Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro Nome Che Il Mio Cor (Traviata) | José van Dam | A♭ Major | 1 | 4B | 78 BPM | ||
Cantata HWV 170: II. Se pietà (Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | F Minor | 1 | 4A | 79 BPM | ||
La Traviata (Oper in 3 Akten) | Mirella Freni | D♭ Major | 2 | 3B | 81 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
A Tanto Duol (Bianca e Fernando) | José van Dam | B♭ Major | 2 | 6B | 87 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Puccini: La bohème, Act 3: "Donde lieta uscì" (Mimì) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 0 | 3B | 99 BPM |