"A Tanto Duol (Bianca e Fernando)" by José van Dam was released on 1993. The duration of A Tanto Duol (Bianca e Fernando) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. A Tanto Duol (Bianca e Fernando)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in José van Dam's "Le Maître De Musique" album is number 13 out of 14. A Tanto Duol (Bianca e Fernando) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Tanto Duol (Bianca e Fernando) by José van Dam to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Vier letzte Lieder, TrV 296: I. Frühling | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 100 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 94 BPM | ||
Sorgio, O Padre (Bianca e Fernando) | José van Dam | E♭ Major | 1 | 5B | 78 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM | ||
Palestrina, WoO17, Pt. 3, Scene 1: Wie lange sie bleiben (Choristers/Palestrina/Ighino) | Hans Pfitzner, Staatskapelle Dresden, Peter Schreier, Carola Nossek, Heinz Reeh, Olaf Bär, Peter Menz, Peter Bindszus, Dario Süss | F♯ Major | 1 | 2B | 83 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Otello (1988 Digital Remaster), ATTO QUARTO, Terza e quarta scena: Niun mi tema (Otello/Cassio/Lodovico/Montano) | Aldo Bottion, Berliner Philharmoniker, José van Dam, Mario Machi, Herbert von Karajan, Jon Vickers | G Major | 0 | 9B | 68 BPM |
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