Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi's 'Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro)' came out on January 1, 1977. The duration of Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) is about 3 minutes long, at 3:01. Based on our data, "Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Simon Boccanegra by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #2 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) by Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: Figlia! / Mio padre! | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 82 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Otello / Act 3: "Quest'è il segnale" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 81 BPM | ||
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM | ||
Bellini: Norma, Act 2: "Non parti?" (Coro) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 74 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Puccini: Madama Butterfly, Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Herbert Von Karajan, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 0 | 6B | 77 BPM | ||
Ponchielli:La Gioconda, Act 1: "L'ora non giunse ancor del vespro santo" (Gioconda, Barnaba, Cieca, Chorus) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 169 BPM | ||
Cherubini: Medea, Act 1: "Qui tremar devi tu" (Creonte, Glauce, Chorus) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B Minor | 3 | 10A | 137 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM |
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