"Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe" by Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury was released on April 20, 1999. The duration of Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Rachmaninov Vespers". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe by Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: O nata lux de lumine | Thomas Tallis, Choir of King's College, Cambridge, Oliver Brett, Stephen Cleobury | A♭ Minor | 1 | 1A | 139 BPM | ||
Vespers, Op. 37: I. "Priidite, poklonimsya" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | B Major | 8 | 1B | 144 BPM | ||
A mighty fortress is our God (Ein' feste Burg) | Martin Luther, Choir of King's College, Cambridge, Stephen Cleobury, The Wallace Collection, Thomas Williamson | D Major | 3 | 10B | 74 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 1. Kommt. ihr Töchter. helft mir klagen | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge | E♭ Minor | 2 | 2A | 89 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Nanino: Adoramus te, Christe | Giovanni Maria Nanino, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Major | 1 | 6B | 74 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Three Shakespeare Songs: II. The Cloud-capp'd Towers | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | B♭ Major | 1 | 6B | 79 BPM |
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