"3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus)" by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra was released on November 5, 2013. With 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Priere (Prayer): Priere | Ton de Leeuw, Bavarian Radio Chorus, Peter Dijkstra | F♯ Major | 0 | 2B | 128 BPM | ||
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Cantata, Op. 42, MWV A15: Wie der Hirsch schreit | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | G Major | 1 | 9B | 88 BPM | ||
Symphony No. 8: IV. Allegro moderato | Alfred Schnittke, Norrköping Symphony Orchestra, Jia Lu | F Minor | 0 | 4A | 141 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Johannes-Passion, BWV 245, Pt. 2: Da Pilatus das Wort hörete (2) [Live] | Johann Sebastian Bach, Krešimir Stražanac, Julian Prégardien, Concerto Köln, Peter Dijkstra | A Major | 4 | 11B | 130 BPM | ||
Sous-bois | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Major | 1 | 3B | 80 BPM | ||
Stabat mater, Op. 58, B. 71: Eia, mater | Antonín Dvořák, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | B Minor | 1 | 10A | 137 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Requiem: 12. Agnus Dei | Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Sergei Sokuler, Marianna Vysotskaya, Percussion ensemble of the Moscow Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM |
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