Johann Joseph Fux, Infusion Baroque, Amir Amiri, Hank Knox, Thibault Bertin-Maghit, Hamin Honari's 'Sinfonia a 3 in C Major, K.331: I. Turcaria' had a release date set for March 15, 2024. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Sinfonia a 3 in C Major, K.331: I. Turcaria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 13 in East is East by Infusion Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Sinfonia a 3 in C Major, K.331: I. Turcaria is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sinfonia a 3 in C Major, K.331: I. Turcaria by Johann Joseph Fux, Infusion Baroque, Amir Amiri, Hank Knox, Thibault Bertin-Maghit, Hamin Honari is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti) | Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
La corona d’Arianna: Recitativo. Posso amarla? (Bacco, Venere) | Johann Joseph Fux, Rafał Tomkiewicz, Monica Piccinini, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Pulcheria, K. 303: I. Overture | Johann Joseph Fux, Otto Sauter, Franz Wagnermeyer, Cappella Istropolitana, Nicol Matt | C Major | 2 | 8B | 127 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM |