Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini's ' "La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti)" was released on its scheduled release date, September 22, 2023. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 42 in Fux: La corona d’Arianna by Johann Joseph Fux, Ensemble Zefiro, Alfredo Bernardini, Arnold Schoenberg Chor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti) by Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Ouverture in C Major, K. 356: V. Marche des ecurieus. Presto | Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer | E Major | 1 | 12B | 130 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Ouverture No. 6 in G Minor: III. Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ouverture in G Minor, K. 355: III. Aire la double. Andante | Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer | F♯ Minor | 1 | 11A | 90 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: No. 3, Wie zittern und wanken der Sünder Gedanken | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM |