"Ouverture in G Minor, K. 355: III. Aire la double. Andante" by Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer had its release date on June 20, 2016. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 51 in Fux: Concentus musico-instrumentalis by Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer, Michaël Hell. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ouverture in G Minor, K. 355: III. Aire la double. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ouverture in G Minor, K. 355: III. Aire la double. Andante by Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Fürwahr, er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | A Major | 0 | 11B | 77 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: I. Jauchzet Gott in allen Landen (Aria) | Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari | B Major | 3 | 1B | 92 BPM | ||
Exultate in Deo fideles: No. 3, Aria, "Exaudi supplices" | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
6 Concerts transcrits en sextuor / 6e concert: 3. L'enharmonique | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Sinfonia a 3 in C Major, K.331: IV. Posta turcica | Johann Joseph Fux, Infusion Baroque, Amir Amiri, Hank Knox, Thibault Bertin-Maghit, Hamin Honari | D Major | 5 | 10B | 125 BPM |