On September 29, 2014, the song "Clivia: "Sie sind mir so sympatisch" (Lelio, Jola)" was released by Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Gerd Martienzen, Maria Madlen Madsen. The duration of Clivia: "Sie sind mir so sympatisch" (Lelio, Jola) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Clivia: "Sie sind mir so sympatisch" (Lelio, Jola)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 34 in Dostal: Clivia by Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Rupert Glawitsch, Anneliese Rothenberger. Based on our statistics, Clivia: "Sie sind mir so sympatisch" (Lelio, Jola)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Clivia: "Sie sind mir so sympatisch" (Lelio, Jola) by Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Gerd Martienzen, Maria Madlen Madsen is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clivia: "Liebe ist kein Spiel" | Nico Dostal, Anneliese Rothenberger, Rupert Glawitsch, Hamburger Rundfunkorchester, Wilhelm Stephan | G Major | 4 | 9B | 142 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
Tanz in's Gluck: Guter Mond, schau uns nicht zu | Nico Dostal, Herbert Ernst Groh, Ilse Huebener, Leipzig Radio Orchestra, Heinz Fricke | A Minor | 3 | 8A | 84 BPM | ||
Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied) | Fritz Wunderlich, Alois Melichar | B♭ Major | 2 | 6B | 96 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Die Vielgeliebte: Du nur bist das Glück meines Lebens | Nico Dostal, Barbara Bonney, Ronald Schneider | F Major | 1 | 7B | 133 BPM | ||
Teil 5 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | A♭ Major | 2 | 4B | 84 BPM | ||
Lullaby | Gideon Klein, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 1 | 8A | 87 BPM |
Section: 0.6711676120758057
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