Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke's 'Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin)' came out on 1971. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 38 in Die Csárdásfürstin by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes. In terms of popularity, Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Freikugeln Op. 326 (Polka) | Johann Strauss Orchester | B♭ Major | 4 | 6B | 158 BPM | ||
Frühlingsbotschaft, Op. 114 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
Gräfin Mariza, Act I: "Lustige Zigeunerweisen" (Chor) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Chor Des NDR Hamburg | E Major | 5 | 12B | 95 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Die Lombarden: O Signore, dal tetto natio | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 1 | 8B | 80 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Evening Bells | Anonymous, Andre Bielecki, Don Kosaken Chor, Serge Jaroff | E♭ Major | 2 | 5B | 89 BPM |
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