The Vienna National Opera Orchestra's 'Merry Widow Waltz' came out on September 28, 2018. The duration of Merry Widow Waltz is about 3 minutes long, at 3:16. Based on our data, "Merry Widow Waltz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Waltzes From Vienna by The Vienna National Opera Orchestra. The song's track number on the album is #12 out of 12 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, Merry Widow Waltz's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Merry Widow Waltz by The Vienna National Opera Orchestra has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Merry Widow Waltz being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Il trovatore, Act 2: Coro di zingari. "Vedi! Le fosche notturne spoglie" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, John Leach, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Die Puppenfee (The Fairy Doll): No. 2 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 2 | 7B | 133 BPM | ||
Eyub Sultan | Can Atilla | A Minor | 2 | 8A | 90 BPM | ||
La Viejecita: Preludio | Orquesta De Camara De Madrid | D Major | 1 | 10B | 135 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Suite for Variety Orchestra: II. Dance No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A Major | 3 | 11B | 80 BPM |
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