Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Chor Des NDR Hamburg made "Gräfin Mariza, Act I: "Lustige Zigeunerweisen" (Chor)" available on January 29, 2015. With Gräfin Mariza, Act I: "Lustige Zigeunerweisen" (Chor) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Sena Jurinaz, Karl Terkal's "Kálmán: Gräfin Mariza" album is number 7 out of 38. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gräfin Mariza, Act I: "Lustige Zigeunerweisen" (Chor) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gräfin Mariza, Act I: "Lustige Zigeunerweisen" (Chor) by Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Chor Des NDR Hamburg to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 3 | 12B | 137 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM | ||
Gräfin Mariza, Act II: Junger Mann ein Mädchen lebt | Emmerich Kálmán, Lydia Teuscher, Jeffrey Treganza, Munich Radio Orchestra, Ernst Theis | E Minor | 1 | 9A | 110 BPM | ||
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.Grenoble | C Major | 1 | 8B | 145 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Ballerina Grazidsa | London Philharmonic Orchestra | C Major | 2 | 8B | 105 BPM | ||
18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
Die Zirkusprinzessin: "Darf ich sie küssen, diese reizende Hand" (Mister X, Fedora) | Emmerich Kálmán, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Sari Barabas | E Major | 5 | 12B | 83 BPM | ||
Gräfin Mariza, Act I: Wenn es Abend wird | Emmerich Kálmán, Mehrzad Montazeri, Munich Radio Orchestra, Ernst Theis | F Major | 3 | 7B | 98 BPM | ||
Vergiss mein nicht (Wenn du so zärtlich bist) | Ernesto de Curtis, Rudolf Schock, Fried Walter | B Minor | 2 | 10A | 70 BPM |
Section: 0.6327474117279053
End: 0.6365952491760254