"La traviata / Act II: "Noi siamo zingarelle"" by Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Chor der Bayerischen Staatsoper München, Bayerisches Staatsorchester, Carlos Kleiber was released on April 20, 2024. The duration of La traviata / Act II: "Noi siamo zingarelle" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. La traviata / Act II: "Noi siamo zingarelle"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 68 in the song's album "The Reluctant Bride (Verdi's Requiem: "Dies irae")". In this album, this song's track order is #62. Furthermore, we believe that the track originated from Germany. The popularity of La traviata / Act II: "Noi siamo zingarelle" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La traviata / Act II: "Noi siamo zingarelle" by Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Chor der Bayerischen Staatsoper München, Bayerisches Staatsorchester, Carlos Kleiber having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM | ||
Inno delle nazioni: II. Recitativo, meno mosso | Giuseppe Verdi, Freddie De Tommaso, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D♭ Major | 1 | 3B | 82 BPM | ||
Messa da Requiem: IIa. Sequence. Dies irae | Giuseppe Verdi, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A♭ Major | 0 | 4B | 125 BPM | ||
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Un bel dì vedremo (Butterfly) | Giacomo Puccini, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 2 | 2B | 60 BPM |
Section: 0.6685209274291992
End: 0.6724469661712646