"Messa da Requiem: IIa. Sequence. Dies irae" by Giuseppe Verdi, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann was released on March 15, 2019. The duration of Messa da Requiem: IIa. Sequence. Dies irae is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Messa da Requiem: IIa. Sequence. Dies irae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Staatskapelle Dresden, Christian Thielemann. The song's track number on the album is #2 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Messa da Requiem: IIa. Sequence. Dies irae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: IIa. Sequence. Dies irae by Giuseppe Verdi, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Messa da Requiem: IIa. Sequence. Dies irae being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis | F♯ Major | 1 | 2B | 98 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 85 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM |
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