- BPM
- 98
- Key
- F♯ Major
- Camelot
- 2B
Turandot: Act I: Signore, ascolta! - Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 6%
- Instrumentalness
- 8%
- Liveness
- 35%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -25.482 dB
Summary
"Turandot: Act I: Signore, ascolta!" by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis had its release date on 1972. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Turandot: Act I: Signore, ascolta!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in Arias by Leontyne Price. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Turandot: Act I: Signore, ascolta! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Turandot: Act I: Signore, ascolta! BPM
The tempo marking of Turandot: Act I: Signore, ascolta! by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Turandot: Act I: Signore, ascolta! Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Turandot / Act 2: Gloria, gloria, o vincitore | Giacomo Puccini, Dame Joan Sutherland, Sir Peter Pears, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 3 | 8B | 108 BPM | |
 | A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | |
 | Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Serse, HWV 40 / Act 1: "Frondi tenere e belle...Ombra mai fù" | George Frideric Handel, Dame Janet Baker, English Chamber Orchestra, Raymond Leppard | F Major | 0 | 7B | 84 BPM | |
 | The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | |
 | Act II: Piangi? Perchè?; Un bel dì | Giacomo Puccini, Leontyne Price, Sir Edward Downes | E Major | 1 | 12B | 0 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM |
- ISRC
- USBC19704783
- Label
- L-M Records/RCA Records