- BPM
- 86
- Key
- G Major
- Camelot
- 9B
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied - Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 30%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 23%
- Loudness
- -23.017 dB
Summary
"The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied" by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment was released on December 3, 2001. With this song being about 5 minutes long, at 4:57, "The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied" by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "The Great Renata Tebaldi". In this album, this song's track order is #14. The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied BPM
With The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | |
 | Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | |
 | Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Pagliacci: Recitar!...Vesti la giubba (Act I) | Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM | |
 | Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | |
 | Lucia di Lammermoor / Act 1: "Qui di sposa eterna...Ah! Verrano a te sull'aure" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 171 BPM | |
 | Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | Lehár: Friederike: "Warum hast du mich wachgeküsst?" (Friederike) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | A Minor | 1 | 8A | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7487587928771973
End: 0.7529246807098389