Anonymous, Ora Singers, Suzi Digby's 'Assumpta est Maria (c)' came out on August 4, 2023. With Assumpta est Maria (c) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Sanctissima: Vespers and Benediction for the Feast of the Assumption of the Virgin Mary". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Assumpta est Maria (c) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Assumpta est Maria (c) by Anonymous, Ora Singers, Suzi Digby having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great doxology | Loktev, Monks Choir of Kiev Pechersk Monastery | F♯ Major | 0 | 2B | 77 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn | B♭ Major | 0 | 6B | 111 BPM | ||
The Cherubimic Hymn | The Male Choir of Valaam Singing Culture Institute | B♭ Minor | 1 | 3A | 79 BPM | ||
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 81 BPM | ||
Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | G Minor | 1 | 6A | 73 BPM | ||
Sanctum Nomen | Margaret Rizza | C Major | 1 | 8B | 88 BPM |
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