"Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini" by Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. was released on January 1, 1986. The duration of Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J.'s "Gregorian Chant: Hymns and Vespers for the Feast of the Nativity" album is number 1 out of 22. On top of that, Netherlands appears to be the country where this track was created. Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini by Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Short Responsory | The Benedictine Nuns of St. Cecilia's Abbey | G Major | 1 | 9B | 107 BPM | ||
Introitus | Chants From the Holyland- Graz Gregorian Chants School of Austri | A Major | 1 | 11B | 80 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Antifona D'Ingresso: Nos Autem | Canonici Regolari Si Sant'Antimo | F♯ Minor | 0 | 11A | 77 BPM | ||
Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
Salve Sancta Parens | Lucien Deiss, CSSp | G Major | 1 | 9B | 73 BPM | ||
Ave maris Stella | Harpa Dei | B Minor | 0 | 10A | 139 BPM | ||
Anbetung Dem Kreuz: Crucem Tuam | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Ave Regina Caelorum | Lucien Deiss, CSSp | E Major | 0 | 12B | 73 BPM | ||
Regina Caeli | Cantores 'Regina Caeli' | C Major | 1 | 8B | 85 BPM |
Section: 0.8128447532653809
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