"Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu" by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn was released on 1996. The duration of Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu is about 3 minutes long, at 3:17. Based on our data, "Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Edward Higginbottom, Choir of New College, Oxford, Capricorn is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misericordias Domini, K. 222 | Wolfgang Amadeus Mozart, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | D♭ Major | 3 | 3B | 124 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Vespers, Op. 37: Blessed Be the Man | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Minor | 2 | 1A | 129 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Vespers (All-Night Vigil), Op.37: 3. "Blazhen muzh" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 104 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM |
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