"Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo)" by Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall was released on January 1, 2005. With Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall's "Miguel De Cervantes: Don Quijote De La Mancha / Romances Y Músicas" album is number 29 out of 57. Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) by Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental) | Clément Janequin, Tylman Susato, Jordi Savall, Hespèrion XXI | A♭ Major | 2 | 4B | 140 BPM | ||
Kyriale: Mass XI - Kyrie (Mode I) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A♭ Minor | 0 | 1A | 103 BPM | ||
VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco) | Montserrat Figueras | A Minor | 0 | 8A | 81 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Burial service: I heard a voice from heaven | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico) | Juan del Encina, Jordi Savall, Hespèrion XXI | D Major | 2 | 10B | 155 BPM | ||
IV. Italia y la Fundación de la Compañía de Jesús: C. de Morales. Sanctus | Francisco Javier, Jordi Savall, Hespèrion XXI, La Capella Reial De Catalunya | A Minor | 3 | 8A | 86 BPM | ||
Dum Medium Silentium - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM |
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