"III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental)" by Clément Janequin, Tylman Susato, Jordi Savall, Hespèrion XXI was released on January 1, 2000. The duration of III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. Based on our statistics, III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental) by Clément Janequin, Tylman Susato, Jordi Savall, Hespèrion XXI is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bella Malmaridada | Gabriel Mena, Jordi Savall | G Minor | 0 | 6A | 76 BPM | ||
Hidalgo: Atiénde y da | Juan Hidalgo, Jordi Savall | B Minor | 0 | 10A | 76 BPM | ||
Alcione, Acte III Scène 3: Troisième Air des Matelots et Matelotes | Marin Marais, Jordi Savall, Le Concert Des Nations | D Minor | 2 | 7A | 114 BPM | ||
Furioso alla Spagnuola | Fabritio Caroso, Atrium Musicae de Madrid, Gregorio Paniagua | D Major | 1 | 10B | 139 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM | ||
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes De La Grenouillere (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 2 | 9B | 99 BPM | ||
Paavin Of Albarti (Alberti) | Jordi Savall | F Major | 1 | 7B | 114 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
Si habrá en este baldrés (C.M. Palacio No. 179) | La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Laurence Bonnal, John Cabero, Jordi Ricart | D Minor | 3 | 7A | 90 BPM |
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