On 2012, the song "Si habrá en este baldrés (C.M. Palacio No. 179)" was released by La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Laurence Bonnal, John Cabero, Jordi Ricart. With Si habrá en este baldrés (C.M. Palacio No. 179) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. In terms of popularity, Si habrá en este baldrés (C.M. Palacio No. 179) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Si habrá en este baldrés (C.M. Palacio No. 179) by La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Laurence Bonnal, John Cabero, Jordi Ricart is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41, TH 75: Our Father | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E Major | 0 | 12B | 77 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM |
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